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April 21, 2015 - No Comments!

Ident Number Two

For my second Kevenmt.com Ident I wanted to explore motion masks and expressions. If you don't know what Expressions are in After Effects, I'll tell ya. Using expressions in AE is like coding javascript in a website. It creates a perpetual motion or automates an effect that would otherwise take a very long time to do manually. Understanding expressions is vital when using After Effects. I used the wiggle expression, it's sort of like a randomizer. In this instance I added a fill to a Solid Layer and then added the wiggle expression to the color timeline. As seen below 🙂
Screen Shot 2015-04-21 at 9.31.13 AM

I used it to make a colored strobeCurrent useless advice There is a lot of cheapest cialis thought about that non-sense advice handed out with regard to porn ED.. Then I created a line with pen tool. With the line selected I went to the top menu and clicked Effects – Generate – Stroke. The stroke then becomes a mask and I used the start and finish key frames to give the line motion.

March 5, 2015 - No Comments!

Zach King’s Magic Vines

This guy in Los Angeles is a vine all-star. He makes funny and creative edits using After Effects and Final Cut Pro. If i could make some edits like he does that would be pretty satisfied with myself. My good friend Marc Salverda posted a fun reel of his vines. I didn't know who he was before Marky posted the video but I guess his edits got him on the Ellen Degenerous show where he did some cools film tricks and talked about his huge Vine success. I immediately looked him up because I'd like to practice some movie magic and learn from the king himselfHowever, the human body can absorb only a small fraction of the problems that have been studied and reported. you can look here viagra 50 mg. I found this video to be rather useful, he talks about making cuts where it feels natural, like when your blinking or finishing a phrase. If you're into film making, He recommends a book called "In the Blink of an Eye" - A Perspective on Film Editing.

November 18, 2014 - No Comments!

RotoScoping

Rotoscoping is an animation technique in which animators trace over footage, frame by frame, for use in live-action and animated films. Originally, recorded live-action film images were projected onto a frosted glass panel and re-drawn by an animator, frame by frame.  Back before computers and the digital age, rotoscoping was a job in itself. Tedious and time consuming, artists were paid to draw, frame by frame, entire movies.  Could you imagine those old disney movies where everything was drawn by hand and done on paper? So crazy. Here's a better explanation of rotoscoping.

Luckily, I live in a time where this is automated digitally. The Entire process which used to take weeks and months now only takes hours and days. But rotoscoping has taken on very different faces as technology and artists evolved over time. here's another version of rotoscoping, more futuristic than Pinochio and Jimminy Cricket.

Another example of rotoscoping, more practical than motion sensors, is one of my favorite movies A Scanner Darkly, where Keanu Reeves, Winona Ryder and other famous actors are very recognizable behind the graphic-novel visuals. A Scanner Darkly was made using “Rotoshop,” a software which makes frames between artists’ tracings of the source live-action footage. Gets complicated, doesn’t it? I don't even know if I understand it.
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And for the Finale! The music video for Mark Salverda's all time favorite song uses rotoscope to turn a 1980's boy band into a comic book like love story.

October 29, 2014 - No Comments!

Pieces of the Ae Puzzle

I've been watching these tutorials over and over again. I've been picking up on small pieces of information and trying to put this big picture of after effects together into a frame of mind I can understand. I had that moment today when the pieces of the puzzle come together and you can see some part of the picture and you understand a bit more than you did about 5 seconds prior... I think its called learning. And what I learned is that I can put masks in motion, and that masks can go over not only still images, solid colors and textures like in photoshop but motion videos like this one.

(well I can't find what i'm looking for on youtube but I'll Post here when I do, ok move along)

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This next video is a great, and probably the best, example of what I mean by putting masks in motion. Its Apple's iconic ad campaign for its Ipod product. The video shows the artistic progression of the commercials from 2004-2008 and its really cool to see how creative the videos get towards the end. The worst part of the video is when U2 - Vertigo plays twice. So I suggest skipping thru the video and you'll get my point about the artistic progression.

Now I don't know for sure if this video was made with After Effects but I can definitely visualize how it can be made in After Effects using the Rotoscoping Tool. I wouldn't mind doing some sort of project where I rip off this idea of moving people with solid colors and motion shapes in the background. Something to think about. For now I'm gonna look into this rotoscoping business and find more pieces to the puzzle.

October 23, 2014 - No Comments!

Feelin The Groove

As I dig deeper into after effects, I realize its like illustrator and photoshop combined with a timeline thrown in the mix.  Its such a powerful tool and i'm learning a whole lot. Here are a few loves, hates , and questions i've asked my self along this after effects trail.

- Color Palette - Is there a swatches panel? I find it really hard to Pick and save the colors I want to work with. Googling the answer didn't seem to help much - the forums say to use Adobe Kuler to save color palettes. I love Kuler so this seems like a viable solution.

- Is there a Direct Selection tool? I found it hard to adjust the objects the way I want to. Coming from an illustrator background, the selection tool is a lot different. I love that it's alot like illustrator. Here's what google says:

- Click away making sure that no layers are selected (this step is not necessary but it gets you at a blank starting point)
- Click the layer that has the mask you want to adjust (the mask should become visible and highlight)
- Grab one of the points directly, Trying to select multiple points at this time will just move the layer.
After you have selected a point you will notice the box (don't know the technical name) disappears from the layer and all the other points on the mask become hollow
- Now you mask is selected and you can drag a box to select multiple points, or just work on the one you originally selected.
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thanks googs.

I'm finding that After effects is like Illustrator with different tools and with keyframes. Keyframes are like timezones for your illustration. You start in one timezone and then create the next frame in another timezone and after effects will fill in the in between zones with the difference.

This is what I've got show for all my struggles: